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 | Bruce Springsteen's most outlandish album of his career is also one of his best. A departure from everything else he's ever done, his tribute to legendary folk radical Pete Seeger showed that he could turn his hand to anything and be succesful. A compilation of ancient traditional songs, this was one of the best folk albums of the decade, and made us wonder how great Springsteen could have been had he been a folkie all along. |
 | After the darker Get Behind Me Satan, The White Stripes returned to a more punky fuller sound on Icky Thump. It included songs that sounded like White Stripes classics such as 'You Don't Know What Love Is (You Just Do As You're Told)' and newer, edgier stuff like the excellent mariachi cover 'Conquest'. These were just some of many highlights, alongside a brilliant title track and the wonderful 'Rag and Bone'. It's the most recent White Stripes album, and bodes well for the next decade. |
 | The first of his now eternally delayed Fifty States project, Michigan was one of two fantatsic albums released by Sufjan Stevens in 2003/04. The other Seven Swans was a slower, more melodic album. This one paved the way for his masterpiece Illinois, it was a series of magnificent tales about his home state, and has more references than wikipedia. |
 | The legendary Zevon's last album, released just two short weeks before his death, was also his best in a long time. Featuring a splendid duet with Bruce Springsteen as well as a tremendous cover of Bob Dylan's 'Knocking on Heaven's Door', this album featured one of the best ensemble casts of musicians ever. The fact that Zevon was able to get such respected artists as Jackson Browne, Emmylou Harris, Ry Cooder, Don Henley, Dwight Yoakam, and Tom Petty just proves how respected he was, and how much he's missed by the musical community worldwide. |
 | Forget about the backstory with the break-ups and log cabins, the music on here would be damn good regardless of anything surrounding it. The story gets you into it, but it's the music itself that keeps you listening. Again and again. Only nine songs long, but every one of them is hauntingly beautiful and immediately enchanting. The only problem with this is that Justin Vernon will probably never make a record like this again. |
 | Sadly dropped the comma from the official release, Dear Science, is TV on the Radio's masterpiece. It's an album that should be played in clubs. It's increidbly danceable, but sadly never hit the mainstream heights it deserved. It also showed that band member Dave Sitek was one of the finest producers around. Not a blip or beep is wasted. |
 | This was Arcade Fire's first introduction to most of the world. Their self-titled EP had got a lot of good press, but with the release of Funeral, those wacky Canadians went from relative unknowns to worldwide superstars. It has sold millions of copies worldwide, and probably is the only alternative album to ever do so. You'll probably see it high on many decade-end lists, higher than on here, but it sadly never reaches the peaks of its many singles. A great album, but they may have better in them. Wait and see. |
 | The album that confirmed Josh Homme as a superstar, Songs for the Deaf is probably one of the finest concept albums of the decade. It's easy to forget that aside from the splendid hard-rock singles such as 'Go With the Flow' and 'No One Knows', the album underneath was a commentary on listening to various radio stations while driving across the Mojave Desert to Los Angeles. It was clever, and brilliant, but mostly it rocked. Hard. |
 | The National's fourth album is their best work so far. Singer Matt Beringer never sounded as good as he did on the dark melodies of 'Fake Empire', 'Mistake for Strangers' and the other ten fantastic songs here. It's bleakly beautiful, but most importantly: damned addictive. |
 | .Muse's 2009 album was a major disappointment. It's the worst thing they've done to date. Luckily, the rest of their career is far better. This, their fourth album was a change in direction, much more spacey and out-there than their previous work. This however was no mad-scientist/UFO-sighting nonsense, but instead was a fine collection of songs (apart from the awful always-skipped 'Soldier's Poem'). Each of the singles is incredible, with the lead 'Suppermassive Black Hole' the best of them. It was totally different than anything they had done before, but also one of the most sonically pleasing, danceable tracks of the noughties. |
 | Not only is this Joanna Newsom's beautiful follow-up to Ys, but it's also the best named release of the decade. A genius titled EP which contains three gorgeous, encapsulating songs. She's a marvellously consistent artist, and I can't wait to see what the next decade has in store for her. |
 | Sam Beam is also one of the most consistent artists around, and Woman King may well be his finest ever release under the Iron and Wine moniker. He's also fantastic live, so if and when he does return, I advise you to go to see him. |
 | The Virginia EP narrowly missed the top twenty here, but this is their better short-length record. Cherry Tree signalled the brilliance that was yet to come from the National on their excellent Alligator and Boxer full lengths. |
 | Another teaser EP, this one showed glimpses of what TV on the Radio would come to be. Even still, it's a fantastic release, and one any artist would be delighted to have in their canon. Check out the excellent 'Staring at the Sun' and the phenomenal 'Blind', a seven minute tune which feels like it ends too soon.. |
 | This decade has been Hawley's decade. He has stood out on his own. Previously a session musician, his self-titled EP, with songs like 'Naked in Pitsmoor' and 'Coming Home' showed that Hawley could be the Roy Orbison of the 00s. |
 | A lot of these EPs are teasers that the best is yet to come from an artist, but Senor and the Queen contains a lot of the Gaslight Anthem's best work. Overall it's their best ever release, mainly because of the song 'Blue Jeans and White T-Shirts'. |
 | They weren't always pop darlings, you know? Long ago, before X Factor wannabes sang their songs, Kings of Leon were a fantastic rock band, up there with the White Stripes and the Strokes. They weren't polished in any way. They were raw, and they rocked. Hard. |
 | I first downloaded this in 2004, on a recommendation from NME before their debut album was released. It was incorrectly titled Banquet EP, but that is mainly the reason it was so good. That one song. 'Banquet'. Perhaps the best rock song to come out of England this decade. And that includes everything Pete Doherty was involved in too. |
 | The best EP to come out of Ireland this decade? Certainly. Might well be the best EP to come out of Ireland ever. It also had a more normal souning name than any of their other EPs. It quickly sold out everywhere, and a wave of hype followed the band everywhere. It was truly deserved, as no-one can argue with songs like 'Battlestations' and future single 'Jake Summers' He's the man... |
 | This is what good EPs are all about. Also known as the Us Kids Know EP. It introduced the world to the fascinating Win Butler and Rene Chassagne, and contained no songs that would appear on their debut album Funeral. (Although 'No Cars Go' was later re-recorded for Neon Bible). It's the perfect EP, as its unique tracklist makes it worth owning, as much as a full-length album. |
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